Tag Archives: Super Bowl

Read This Before Watching Super Bowl Ads

Screen Shot 2020-01-31 at 7.23.16 PMExcuse me, the Big Game.  If you weren’t aware, there are very tight restrictions imposed by the NFL on use of the SB words.

https://www.vox.com/the-goods/2019/1/31/18202037/super-bowl-53-ads-trademark-the-big-game-2019

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But that’s not the point of this post.

You may be one of the many who watch the ads purely for entertainment value.  If that’s the case, you’re no doubt in for your share of brilliance, virtue signaling, emotional manipulation, morally questionable/disgusting, Christopher Walken and just plain bad ads (see “puppybabymonkey”).  All of which is great.  Enjoy.

https://thearmchairmba.com/?s=super

SuperBowlads2016

The intended point is that even if an ad is unbelievably hilarious, poignant, memorable or otherwise highly engaging, advertising has diminished value if the brand is not well integrated.

2015SuperBowlCollage

It’s sort of like meeting that attractive person at a bar that you have an amazing instant connection with, but leave without a phone number or any other way to take action.  If the brand isn’t connected to the ad, it’s hard for the viewer to do anything about it.

Roger-and-Jessica-Rabbit-mourn-Richard-Williams-their-creator-died

If you’re a marketer, however, SB, er, BG ads are interesting for different reasons – at $3.5M or $4M whatever the price for 30 seconds is these days, you are no doubt wondering how that expense can possibly pay out.

The good folks at Kellogg Graduate School of Business have come up with a formula called ADPLAN that breaks down key components of effective ads.  You can see how they rate Sunday’s ads in real time here:  https://www.kellogg.northwestern.edu/news-events/super-bowl.aspx

Attention
Distinction
Positioning
Linkage
Amplification
Net Equity

This point we’re talking about is related to one of the 6 points – L – Linkage – – of the advertising to the brand.

Many of the Big Game ads do a great job getting your attention, but don’t close the loop by making the brand an integral element.

As an example, compare two very entertaining ads – – which of them can you connect to a brand?

  • “Just OK is not OK” – whether it’s a tattoo artist, surgeon, babysitter or tax preparer, this campaign is highly entertaining, engaging and amusing. It just doesn’t have a strong linkage to the brand or core message (other than ‘we’re better than OK’ – – not necessarily ownable or particularly compelling). I’ve enjoyed this campaign immensely but have never remembered the advertiser.  (It’s AT&T, by the way.  I checked).

https://www.ispot.tv/ad/IZ6U/at-and-t-wireless-ok-surgeon

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  • “Jake” You can probably already envision the scene (late at night phone call) and catchphrase “Jake…from State Farm”.  In this case, the premise (State Farm is always available) and the brand name are well integrated into the creative.

https://www.ispot.tv/ad/7ISp/state-farm-3-am-savings

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That’s it.  My intended takeaway is neither original nor news – – but it’s still really important in evaluating ad effectiveness.

So enjoy the game this Sunday.  There will be lots of great entertaining spots. And it looks like it could be a good game as well.

However, from a marketing perspective, if you can’t remember the brand whose commercial you just watched, there’s work yet to be done.

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Super Bowl Ads – The REAL Best and Worst – – and why

A week ago the impossible happened – a Super Bowl that was WAY more exciting than the ads.

Still, duty calls – – it’s taken a week to fully process the advertising train wreck but the result is worth the wait.

The Armchair MBA carefully analyzed the reviews of 10 respected entities (plus a timid peep from Harvard Business School), summarily ignored them and can now announce the REAL best and worst ads of 2018.

SB 2018 Montage

Super Bowl spots, in particular, need to stand out in a hyper-charged environment, create water cooler (social) chat to extend the brand, and ultimately move the brand forward.

Clicking on this chart will blow it up so you can see where everyone came out.

Included at no extra charge – charming, witty, pithy bons mots!  It’s so worth it!

Super Bowl 2018 ads

We generally subscribe to the ADPLAN evaluation system set up by the Kellogg Graduate School of Management (Attention, Distinction, Positioning, Linkage, Amplification and Net Equity).

Tide

First, a few general observations:

  • When everyone does anthemic feel-good ads to set themselves apart from the competition, everyone starts looking the same.  In some cases I was moved almost to tears and had no idea which brand I should hug.
  • I have a dream that in the future, companies won’t feel compelled to stretch to co-opt (read: exploit) a universal good (cancer research, disaster relief, first responders, and BABIES!) to draw attention. Winner (loser) by a long shot in this category – – Ram Trucks.
  • LCD humor apparently remains a reliable go-to for advertisers (see: Febreze, M&Ms).
  • Not as many animals this year (no Clydesdales, Doberhuahua or Puppymonkeybaby), BUT we still had more than enough with Yellow Tail’s ‘Roo, TurboTax’s monster under the bed…and Steven Tyler.
  • Personality counts a LOT! Morgan Freeman continues to define ‘Maximum Possible Q Score’, Peyton Manning is a reservoir of humor and credibility (especially since the divorce from Papa John), and Eli, he of the permanently blank expression, will always be the little brother.

Selected Best Ads

  • Echo (Amazon) – – witty, creative, great cameos, and the product is the whole point
  • Doritos/Mtn Dew — great pairing, both products and performers, with a high fun factor
  • US Olympic Committee – – in the grand tradition of Up Close and Personal, terrific effort at personalizing the competitors (particularly important in light of current controversies).  Incorporating childhood photo/video a big plus.
  • Tourism Australia – – in a head-fake worthy of Doug Pederson, grabs your attention and keeps it
  • Tide (It’s a Tide Ad) – – P&G threw a long ball with several executions of this campaign spoofing other campaigns (see above), and scored. The premise of ‘if it’s clean, it must be Tide’ could not be more spot-on (pun intended)
  • Rocket Mortgage – – humorous, relatable, and highly relevant to the product
  • Sprint – – a bunch of robots who make the logic work, and then crack wise, make it a strong spot

Selected Stinkers

  • Ram Trucks – – #1 stinkeroo. Someone thought it would be a good idea to use the words of MLK Jr. to elevate…a truck. Shame on Ram Trucks, and shame on the MLK family, for that matter.
  • Squarespace – -in a way, they’ve become sort of a reliable companion in the stinker category.  This year, we had Keanu Reaves riding a motorcycle standing up and…pontificating.
  • T-Mobile – – a high-concept ad which pans over a multitude of infants, and unsuccessfully tries to make some sort of connection to the product. Creepy.
  • Febreze – – ironically in the stinkeroo category. Maybe the man’s *** don’t stink – -but that doesn’t mean the copy is something you want to be around
  • NFL – – I’m apparently a voice in the wilderness here. Most people found the Eli/Odell pas de deux a charming play off the iconic Dirty Dancing scene. I just thought it was forced, clumsy and unfunny.  Plus, not sure what the message was.

Maybe like the E*Trade commercial says, I’m just getting old.

Battle of the 2016 Super Bowl Ad Reviewers

To take your mind off whatever tsuris you may be feeling about our nation hurtling toward anarchy, for the third year in a row we take you briefly back to Sunday’s state of guacomole-induced stupor, to compare critics’ reviews of the all-important Super Bowl ads.

SuperBowlads2016

Like our politicians, once again it’s clear that the critics can’t agree on much (unless it involves dachshunds dressed up as hot dogs.)

And once again we realize that John Wanamaker was right: 50% of advertising is wasted. Unlike Mr. Wanamaker, in this case we have a pretty good feeling about which 50% may have been involved.

Crouch-Super-Bowl-Ads-2016

At the bottom of this post is a remarkable chart comparing major reviewers (color-coded green/yellow/pink) for all the spots run during Sunday’s game.  It’s pithy!
NOTE: ads are grouped by my rankings of green/yellow/pink but are alphabetically listed within those large groups.

A few observations:

First of all, if Super Bowl 50 was such an amazing success, why were there approximately 260 CBS ads taking up valuable ad space?

Humor seems to be back, and boy do we need it. (Celebrities are back, too)
– unfortunately, sophomoric humor was also in full schwing! (Amy Schumer, I’m talking to you)

kia-walken-superbowl-ad

Generally well-accepted spots had breakthrough, were straightforward, enjoyable, had product as hero – – and you came away knowing what the brand was
Audi’s Commander, Kraft/Heinz Wiener Stampede, Toyota Prius The Longest Chase, Doritos Ultrasound (I was not a fan), Avocados from Mexico Avocados in Space, Bud Light Bud Light Party, Hyundai Genesis First Date, Hyundai Elantra Ryanville, Amazon Echo Baldwin Bowl Party, Advil Distant Memory

Disliked spots featured unappetizing topics or visuals, human ailments, made no detectable point, or were just stupid
AstraZeneca Opioid-Induced Constipation Envy, Squarespace Real Talk, SoFi Great Loans, Great People, Valeant Jublia Best Kept Secret, LG OLEG TV Man from the Future

PinkIntestine

Mtn Dew Kickstart PuppyMonkeyBaby carried the torch of 2014’s Doberhuahua, quite happy to spew the ridiculous in the craven quest for online buzz
– (by the way, it’s Mtn, not Mountain)

TurboTax_SuperBowl50NeveraSelloutEMBARGOEDFebruary7840pmET16

Some highlights:
– Anthony Hopkins’s perfectly executed tongue-in-cheek “I’m not selling out” pitch for TurboTax
Jeep’s spots (finally) taking advantage of its amazing legacy
Kia’s spot called ‘Walken Closet’ starring Christopher Walken. (Did the pun drive the copy?)

Key Peele

Some lowlights:
LG’s infuriatingly pointless waste of Liam Neeson and Ridley Scott’s talents
Squarespace’s infuriatingly pointless waste of Key & Peele’s talents
– Spots that required you to know the context (T-Mobile/Drake, T-Mobile/Steve Harvey, Hyundai Elantra/Ryan Reynolds)

A few spots had obviously high production values but were virtually ignored by reviewers – which makes one wonder if their $5 million+ was well spent:
Intel Experience Amazing, McDonald’s Good Morning, Bai Horse Whisperer, Pokémon 2.0, Wix.com Kung Fu Panda, Advil Distant Memory, Mobile Strike Fight

Finally, Weather Tech – this is I believe your 3rd Super Bowl ad.  You make a great product in an admirable way.  You are decent, hardworking, earnest people.
But maybe it’s time to step away from the cheese dip and have a beer.

weathertech

Click once or twice on the table below to make it more readable.

SuperBowl2016

Footnotes:
My evaluations are generally based on the Kellogg ADPLAN approachAttention
–Distinction
– Positioning
– Linkage
– Amplification
– Net Equity – – along with some personal gut feel.

Reviewers and links to reviews (if you were involved in any of the reviews and feel I got something wrong, let me know):
Kellogg Graduate School of Business – Northwestern University
Adweek
Ad Age
Chicago Tribune
Entertainment Weekly
New Yorker
Slate
USA Today
Variety
Washington Post
Wall Street Journal
Yahoo Sports

See you next year!

Battle of the 2015 Super Bowl Ad Reviewers

It’s time to demonstrate (again) that when it comes to advertising, no one agrees on anything. Raise your hand if you’re shocked.

The Armchair MBA repeated last year’s stunt in comparing the ratings of 10 prominent 2015 Super Bowl ad reviewers, summarized in the handy chart below, along with my personal ratings. (Green/yellow/red coding, alphabetized within my ratings)

2015SuperBowlCollage

While no Doberhuahua this year, there was plenty of dreck and schmaltz to take its place, but a few very good spots as well. Unfortunately many spots were so-so – – either they rewarded our attention with a muddled message or weak branding, or they were copy-by-committee logical with no heart or pizzazz (Hello, GoDaddy. Hello, Weathertech).

Mostly universally admired: P&G Always “Like a Girl”, Avocados from Mexico, Dove Men+Care, Mophie, Budweiser/Puppy (I declined highest marks on the last two)

Most universally unloved: Nationwide’s “Boy” (runaway loser), Nissan, Lexus

Most schizophrenic (scored best on some lists, worst on others): McDonald’s “Pay with Lovin’”, SquareSpace/Jeff Bridges, Loctite “Positive Feelings”, Toyota Camry/Amy Purdy, Carnival Cruise Lines, Victoria’s Secret (had to watch this again to make sure I knew how I felt)

A few observations:
– Personally not a fan of high-concept feel-good spots like McDonald’s or Coca-Cola or Jeep, or for that matter, the very cute/manipulative Bud puppy ads. Fun for the agency, probably test well for likability, but hard to see how see how it drives action or enhances the core brand equity.
Love spots like Fiat 500 SUV – simple message (we made the base 500 bigger), using an analogy that’s easy to understand and relevant to the main point (if a bit naughty)
– Would love to be a fly on the wall during the approval process of the Nationwide’s “Boy” spot (spoiler alert: it’s about a charming boy who turns out to be dead. More chips & dip, please).
– For fun, check out some of the breathless, we-take-ourselves-kind-of-seriously reviews comments like “Powerful message but tough ad to watch”, “Disturbingly brilliant and impactful”, “emotionally powerful and good storytelling”, blah blah blah – you can see some here (as well as a CMO’s explanation about why his ad was NOT supposed to sell product.  Hmmm…).

To see the summary, click on the chart below. Click twice for maximum size/readability.

SuperBowl2015

The reviewers:
Kellogg Graduate School of Management

Advertising Age

Wall Street Journal
Chicago Tribune


Entertainment Weekly

Variety

Slate

Yahoo Sports

New Yorker
New York Post (new this year!)

My evaluations are generally based on the Kellogg ADPLAN approach: Attention
– Distinction
– Positioning
– Linkage
– Amplification
– Net Equity – – along with some personal gut feel.

We know that the Super Bowl is a special stage, and different rules certainly apply.   In addition, there are social media linkages and previews that can dramatically amplify the impact of ads. So it is somewhat unfair to judge an execution in isolation.

On the other hand, we don’t claim to be fair. And as observed last year, sometimes an ad just sucks.

See you next year.

First Ever Battle of the Super Bowl Ad Reviewers!

Ever wonder why you never totally agree with Super Bowl ad reviewers?
Well, other than for a few good ads* they mostly don’t agree with each other either.  

Doberhuahua

The Armchair MBA has selflessly taken on what is certainly is a vast unfulfilled need and compiled a comparison of 9 disparate SB ad reviewers just for you!   Wow!   Almost as much fun as being a Broncos fan!

Just click on the chart below to see that while there is some consistency, in the end advertising is still an art and everyone’s got their opinion.  (You can click on the chart twice to make it even more readable.)

(*Generally universally liked:  Budweiser, Cheerios, Radio Shack, Microsoft – – although I’m not in the bag for all of them)

The reviewers:

Kellogg Graduate School of Management
Advertising Age
Wall Street Journal
Chicago Tribune
Entertainment Weekly
Variety
Slate
Yahoo Sports
New Yorker

I’ve provided my own opinion, to make it an even 10.

SuperBowl2014

Green/Yellow/Red ratings were my best interpretations of what the reviewers meant.   White means they didn’t review this particular ad –  – which in itself tells you something.  They are grouped based on my ratings, on an alphabetical basis by brand within ranking.

My evaluations are generally based on the Kellogg ADPLAN approach, which is becoming the standard:
Attention
Distinction
Positioning
Linkage
Amplification
Net Equity

However, I also incorporated a liberal dose of my visceral reaction during the game.

Quick commentary:  The Super Bowl is a unique marketing environment where stakes and expectations are high, and the bar for breakthrough is considerably higher than any other day.
Advertisers use the SB for much more than the eyeballs – – as a way to make a corporate statement, introduce something new, reposition themselves, set up other promotional activity, and many other things.
So these spots can be seen through many different lenses, which is why reviews often differ dramatically.

Having said that, sometimes an ad just sucks any way you look at it.

Not included in my ratings (but increasingly important) is how long of a tail these ads might have – – what their viral reach, impact and duration becomes.

Maybe next year.

Marco Rubio and the New Watergate: Missed Opportunity

These days it’s simply not good enough to have a token effort at social media – if you’re in, you need to be all-in.  A recent column by Kate McMahon on MorningNewsBeat (below) summarizes it nicely, using the recent case of Marco Rubio and comparing Poland Spring’s inaction to Kraft’s opportunistic action for Oreos during the Super Bowl (instantly creating and Tweeting a catchy message during the blackout).

MarcoRubioWater

Oreos Super Bowl

The new imperative is not just to manage your followers in real time, but to take advantage of the ability to jump on opportunities real-time, as they present themselves.  So there’s a defensive reason (manage potential crises proactively) and an offensive reason (take quick advantage of spontaneous good luck by leveraging through social media).

The full text and link to Kate’s commentary is below.  By they way, MNB is a great quick digest of a variety of consumer and retail issues, every day.

http://www.morningnewsbeat.com/Home/Home_S.las?Date=2013-02-20&Source=Newsletter&A=41188&C=#A41188

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Kate’s Take: Drip, Drip, Drip

by Kate McMahon

Welcome to Watergate 2013.

We are referring, of course, to Florida Sen. Marco Rubio’s awkward lurch for a bottle of Poland Spring water and subsequent slurp during his Republican rebuttal to the president’s State of the Union address last week.

Within minutes the Twitter universe lit up with #watergate tweets, and social media watchers anxiously waited for Poland Spring to capitalize on its prime-time product placement moment.

And waited.

And waited.

Even Rubio himself good-naturedly tweeted a photo of an empty Poland Spring bottle right after the speech and has since parlayed his guzzle into a $125,000 boost to his campaign PAC coffers through the sale of Rubio water bottles (certainly abetted by a “Saturday Night Live” spoof).

But as the hours ticked by, and the gulp was replayed on newscasts, parodied on YouTube and the talk of Twitter, Poland Spring remained radio silent.

When contacted the next morning a spokesperson said: “I haven’t seen what’s going on on Twitter.”

Not an acceptable response, particularly for the top-selling spring water brand in America, owned by the multi-billion dollar international conglomerate Nestle.

And finally at 1:20 p.m. Poland Spring weighed in with a Facebook post showing a tiny Poland Spring bottle looking at its reflection in a mirror with the caption: “Reflecting on our cameo. What a night.”

Witty, yes, but way too late. The headlines that followed shouted “squandered,” “missed opportunity” and “fumbled.” The Huffington Postcompared the 14-hour lag to “roughly 14 years in social media time.”

Turns out Poland Spring stopped posting on its two Twitter accounts as of July 2010 and January 2011, respectively. Really?

The lead-footed response had the bad luck to follow a timely moment of social media marketing by Oreo during the Super Bowl blackout. Oreo was already in the game with a commercial, but tweeted “Power Out? No Problem” and a picture of an Oreo with the caption “You can always dunk in the dark.”

(Tide also sent out a tweet saying “We can’t get your blackout. But we can get your stains out” and Walgreen’s chimed in with “We do carry candles” but it was Oreo that got all the attention.)

In fact, the Oreo tweet was retweeted 10,000 times in one hour and lauded as the advertising winner of the night.

And it illustrates the phenomenon that major nationally televised events are essentially “two screen experiences” – what people are watching and what they are tweeting simultaneously.

Since Oreo had a commercial airing during the Super Bowl, cookie execs and its ad agency team had gathered in a “mission control center” to watch the game and monitor social media channels.

With all the key players on hand, they were able to design – and get approval for – a witty graphic within minutes.

Granted, Oreo had a multi-million dollar investment in the Super Bowl telecast and Poland Spring had no way of knowing its product would capture the nation’s attention, thanks to a parched freshman Republican from Florida.

But the two cases illustrate that real-time interaction with consumers on social media is dictating the discussion. If you aren’t prepared to join in, you will find yourself left high and dry. 

Comments? Send me an email at kate@morningnewsbeat.com .